Elisabeth Molin studied Fine Art at Chelsea College of Art and MA Photography at Royal College of Art. She has recently shown work at Wiels in Brussels, Sundy in London, Sixty Eight Institute in Copenhagen, Austrian Cultural Forum in London and MAW, ISCP and Columbia University in New York. She has shown her videos at part of the 32nd Images Festival in Toronto, the 31 Stuttgarter Filmwinter in Stuttgart and the 7th Medrar Video Festival in Cairo. She has been awarded residencies at Cite Internationale des Arts in Paris, The Danish Cultural Institute in Rome and and at ISCP in New York.

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(yet)
2020
40 pages, 120 x 210 mm
Edition of 500
(yet) is a journey through everything in between; transit zones, temporary shelters, weightlessness and virtual spaces.


COMFORT 7/32/00
2020
Pages 40, 120 x 210 mm
Edition of 500

COMFORT 7/32/00 refers to a note I found on the street one day, that became a portal into a state of mind or a particular time, although the time was out of date or imagined, floating in between past, present and future. The book is a journey through this imagined place, where vision oscillates between perception and mechanics, and where objects and materials are in permanent state of melting or intersecting.


Lies and Diet Coke
2017
40 pages, 120 x 210 mm
Edition of 400

Lies and Diet Coke is a collection of notes and poems written over the period of one year. It relates to failures in representation, the night time and how technology affects notions of distance and proximity.


Black Rooms
2017
40 pages, 120 x 210 mm
Edition of 400

Black Rooms is an exploration of the book as mental architecture, where language builds up and breaks down notions of space. The book includes 11 fictitious spaces.